Johnson will get there, but first offers a flashy space-battle prelude to get the obligatory spectacle out of the way. “The Force Awakens” ended on an abrupt note, with tough-minded scrapper-turned-Jedi-novice Rey (Daisy Ridley) tracking the reclusive Luke Skywalker (a bearded, leathery Mark Hamill) to the desolate, watery planet of Ahch-To. Of course, “The Last Jedi” must also keep the “Star Wars” machine moving forward. And while we’re distracted, Johnson unleashes a fresh bag of tricks. It’s also a canny statement on why those things hold appeal: They distract us. FREE STAR WARS THE LAST JEDI FULL MOVIE MOVIEJohnson’s screenplay plays into fan expectations while upending them with clever structural gimmicks and tonal shifts reminiscent of his previous features “Brick,” “The Brothers Bloom,” and “Looper.” However, by using the language of blockbuster cinema to clarify his ambitions, Johnson outdoes them all. The movie is a manipulative tale of Rebel forces alternately fleeing and confronting their enemies from the First Order, with side trips to wondrous planets, cute animals, and giddy lightsaber battles. Johnson’s filmmaking resume makes it easy to argue that he approaches “Star Wars” as an auteur - and in this case, the argument has merit. Read More: ‘The Last Jedi’ Premiere Photos: Laura Dern, Daisy Ridley, and More The result is the most satisfying entry in this bumpy franchise since “The Empire Strikes Back” in 1980. Now we have Rian Johnson’s “ Star Wars: The Last Jedi” - and finally, we can see the future. Under the fastidious guidance of writer-director Johnson, “The Last Jedi” turns the commercial restrictions of this behemoth into a Trojan horse for rapid-fire filmmaking trickery and narrative finesse. Abrams'” The Force Awakens,” took some stabs at creating a more vital and singular vision, but it achieved that goal largely through unapologetic homage and refashioning the original formula. There was Jar Jar Binks there was Hayden Christensen as a young Darth Vader there were plans to re-release “Attack of the Clones” and “Revenge of the Sith” in 3D. Millions of fans clamored for satisfaction after the first trilogy, but what they faced was an unwieldy assemblage of Star Wars media in a constant state of identity crisis. (Knock those dopey prequels all you want, but they were the movies Lucas wanted to make.) When Disney bought the entire Star Wars franchise from Lucasfilm for all the money in the galaxy, the deal forced a reckoning: Over 40 years, George Lucas garnered a massive and rabid fanbase for his singular vision of old-fashioned matinees refashioned for a galaxy far, far away - but it also remained tethered to his whims.
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